剧情简介
康沃尔渔村的风景明(✒)信片田园诗误(🐌)导(dǎo )了(🔼)人们(🃏)。虽(suī )然过去钓鱼是一种(🍥)养(yǎng )家糊口(kǒu )的方(🥈)式，但如(rú )(🍖)今(jīn )富有的伦敦游客纷纷下山，取(qǔ )代(dài )(❣)了当地人(rén )，当地(🖲)人(rén )的生计因此受到(dào )威胁。史蒂(dì )文和(💆)马丁兄(🥄)弟(🛹)的关(guān )系也(🐖)很紧张(zhāng )。马丁(🥞)是(shì )一个没有船的渔夫(fū )，因为史蒂文开(🤷)始(shǐ )用它来为一整天的游客提供更赚钱的旅游(❔)。他们卖掉了这座(zuò )(🥔)家庭(🗞)别墅，现在看来，最(🤸)后(🌞)一场(chǎng )战(zhàn )斗是和(hé )新主(🎾)人在海边(⛏)的停车位(🧤)上(shàng )展开。然(rán )而(ér )(😍)，情况(kuàng )(⛳)很(hěn )快就失控了，而不(🧣)仅(jǐn )仅是(shì )因为车(🗳)轮(lún )夹钳。 Bait是一(yī )种(🚗)黑白，手工制作，16毫(háo )米(🥋)胶片制作(zuò )的电(diàn )影。许多关于鱼、网、龙虾、长靴、绳结和(hé )渔篮的特(tè )写镜(jìng )头让人(rén )想起了蒙太奇(🏴)景点的理论。对不同社(🖍)会阶(jiē )层的(de )描(🌸)述——可以(yǐ )说是阶级关(guān )(😳)系(xì )——也让人(🔪)想起(qǐ )了英(⏺)国电影中的(❓)社(📬)会(✖)现实主义(😉)传统(🚩)。然而(🏸)，最重(chóng )要(yào )(⏺)的是(🔮)，在影像(🔬)中不同(tóng )层(céng )(💕)次(cì )的(de )电影历(lì )史参考(kǎo )(😲)文献之下，当前许多政(🍾)治关联正在等(♊)待被发现。 (🏆) The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
猜你喜欢
剧情片周榜单
